Social Media Influencers as Conduits of Knowledge in Australia and Asia
Dr Crystal Abidin is Senior Research Fellow/ARC DECRA Fellow in Internet Studies at Curtin University, Research Fellow with the Centre for Culture and Technology at Curtin University, and Affiliate Researcher with the Media Management and Transformation Centre at Jönköping University. She is a digital anthropologist and ethnographer of vernacular internet cultures, and researches young people’s relationships with internet celebrity, self-curation, and vulnerability. Crystal has been studying the Influencer industry in Southeast Asia, Australia, and the Nordic since the late-2000s. She has authored over 40 refereed articles and chapters on various aspects of internet culture, and her books include Internet Celebrity: Understanding Fame Online (2018), Microcelebrity Around the Globe: Approaches to Cultures to Cultures of Internet Fame (2018, co-edited with Megan Lindsay Brown), Instagram: Visual Social Media Cultures (2020, with Tama Leaver and Tim Highfield, Polity Press), and Mediated Interfaces: The Body on Social Media (2020, co-edited with Katie Warfield and Carolina Cambre). Crystal is listed on Forbes 30 Under 30 Asia (2018) and Pacific Standard 30 Top Thinkers Under 30 (2016). Reach her at wishcrys.com.
This project is an individual grant hosted at Curtin University, and is funded by the Australian Research Council Discovery Early Career Researcher Award (DECRA) (Australia), July 2019–June 2022 (DE190100789). The project is also supplemented and extended with support and funding by Curtin University, July 2019–June 2024. Ethics Office approval number HRE2019-0806.
The project aims to evaluate how social media Influencers can become conduits to communicate information among young people between Australia and East Asia. As icons on the internet who are experts in holding attention and amplifying content, Influencers have expanded from being mere commercial enterprises to being conduits of public service information by reaching wide, diverse, and sometimes marginalized youth audiences with important socio-cultural messages. This study will glean lessons from leading Influencer ecologies in East Asia (China, Hong Kong, Japan, South Korea, Taiwan), to understand how we can use internet-native communication formats to improve inter-cultural knowledge and relations in Australia.
This study will offer a framework for examining the Influencer industry in Australia based on expert economies in East Asia. Its analysis of young people’s internet cultures will generate new knowledge on how information circulates and is received in innovative communication formats between young Australians and young East Asians. The study informs how young people in Australia can improve their inter-cultural communication skills, how community groups can improve inter-cultural integration, and how businesses and policy makers partner with Influencers to amplify information.
This project comprises a network of smaller supplementary projects that feed into the overall research study. They include:
 Knowledges on Douyin vs. TikTok: Platforms, Populism, and Performance
This project is an individual research bursary hosted by the Centre for Culture and Technology (CCAT) at Curtin University, and is funded by Tencent (China/Australia), August–December 2019.
Since launching the short video app (短视频) Douyin (抖音) in the Chinese domestic market in September 2016, internet technology company ByteDance (字节跳动) subsequently launched an international version TikTok in September 2017. In November 2017, ByteDance bought over and integrated a predecessor competing short video app Musical.ly, which was first launched in April 2014, and continued to operate Douyin and TikTok as two different platforms for the domestic and international market respectively. Subsequently, Google Trends and international media coverage on Douyin and TikTok soared, as compilations of Douyin posts went viral on YouTube and Facebook, and the international userbase on TikTok grew. In response to public misrecognition and misconception around both apps, this pilot study is focused on reviewing the current pool of knowledge on Douyin and TikTok. Focused on the platforms, the study will employ the walkthrough method to understand the distinctions in features, functions, and user experience of both apps. Focused on populism, the study will conduct a content analysis of mainstream press and popular media articles providing reportage on both apps to understand the discourses pedalled about internet popular culture and ideogeographical politics. Focused on performance, the study will draw from digital ethnography and personal interviews to understand how users of both apps make decisions about the types of content they follow and consume. It is hoped that this pilot study will serve as the foundation for a more extensive survey of the short video app ecology (短视频经济) in East Asia.
 Short Video Apps in China
This project is an individual small research grant hosted by the MCASI Research and Creative Production Committee, under the School of Media, Creative Arts & Social Inquiry at Curtin University, October 2019–March 2020.
Short video apps are the latest digital media format to proliferate on the internet. The format allows users to communicate their message via video, sound, and layover text, emoji, and stickers in clips that are only 15-60 seconds long. This has given rise to innovation around how young people, brands, businesses, and even news networks design their content in order to reach their target audience in a saturated digital media environment. To understand the landscape, ecology, and economy of short video apps, my fieldwork will focus on the biggest international markets in China housed in Beijing and Hangzhou. I will be conducting personal interviews with the tech companies who fund and back these apps, the short video app platforms themselves, influencer incubators and agencies who are experts in grooming and commercializing talent on these apps, and aspiring and current short video app creators. This fieldwork to collect primary data is especially crucial as the short video app ecology is under studied despite the phenomenon having taken off globally since 2016. There are less than a dozen academic and conference papers on major platforms such as TikTok/Douyin, and most of the public knowledge on such apps is limited to popular media coverage and personal opinion blogposts. As such, this research will contribute to foundational peer reviewed research on the phenomenon.
Fieldwork dates (continuously updated)
July 2019: Hong Kong
August 2019: Shanghai, Sydney
September 2019: Canberra
November 2019: Singapore
December 2019: Seoul, Tokyo
January 2020: Singapore
February 2020: Beijing, Hangzhou, Shenzhen
March 2020: Milan
Q2 2020: Hong Kong, Shanghai, Taipei
Publications in planning
 A review of the history of Influencers in Australia, Australian media representations of Influencers, and the impact of social media Influencers on print media.
 A survey of the culture of Influencer agencies in East Asia, practices of Influencer communications in the Asia Pacific, and the role of East Asian Influencers in building community among East Asian migrants in Australia.
 A study of inter-cultural communication between East Asians and Australians, working towards a theory of Asia Pacific Influencers, inter-cultural learning, and the generation of attention on the internet.
 I am hiring a 2-year Postdoctoral Research Fellow to work with me on this project. Applications close on 03 February 2020.
This page was last updated on 13 January 2020.